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You've selected:
Even Better Than The Real Thing
Sheetmusic to print
35 sheet music found
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U2: Even Better Than The Real Thing for voice & other instruments
Melody line, (Lyrics) and Chords
Instantly printable sheet music by U2 for voice & other instruments (fake book) of MED…
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Instantly printable sheet music by U2 for voice & other instruments (fake book) of MEDIUM skill level. / rock
$4.97
4.64 €
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Melody line, (Lyrics) and Chords
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U2
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Virtualsheetmusic
U2: Even Better Than The Real Thing for voice & other instruments
Melody line, (Lyrics) and Chords
Instantly printable sheet music by U2 for voice & other instruments (lyrics only) of M…
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Instantly printable sheet music by U2 for voice & other instruments (lyrics only) of MEDIUM skill level. / pop
$3.48
3.25 €
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Melody line, (Lyrics) and Chords
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U2
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Virtualsheetmusic
Even Better Than the Real Thing by U2 - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: U2: Even Better Than the Real Thing Digital Sheetmusic plus an interactive, …
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Performed by: U2: Even Better Than the Real Thing Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- Alternative Pop/Rock~~Pop Rock~~Album Rock~~College Rock~~Dance-Rock
$5.50
5.13 €
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Piano, Vocal and Guitar
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U2
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Piano/Vocal/Guitar
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Musicnotes
Even Better Than the Real Thing by U2 - Ukulele Leadsheet
Ukulele
Performed by: U2: Even Better Than the Real Thing Digital Sheetmusic plus an interactive, …
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Performed by: U2: Even Better Than the Real Thing Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Ukulele/Vocal/Chords;Leadsheet, instruments: Voice;Ukulele;C Instrument; 3 pages -- Rock~~Alternative Pop/Rock~~Pop Rock~~Post-Punk~~College Rock~~Dance-Rock
$2.95
2.75 €
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Ukulele
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U2
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Ukulele Leadsheet
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Musicnotes
Even Better Than the Real Thing by U2 - Leadsheet
Melody line, (Lyrics) and Chords
Performed by: U2: Even Better Than the Real Thing Digital Sheetmusic - instantly downloada…
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Performed by: U2: Even Better Than the Real Thing Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Leadsheet, instruments: Any Instrument;Voice;Guitar; 3 pages -- Rock~~Alternative Pop/Rock~~Pop Rock~~Post-Punk~~College Rock~~Dance-Rock
$3.25
3.03 €
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Melody line, (Lyrics) and Chords
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U2
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Leadsheet
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Musicnotes
Even Better Than the Real Thing by U2 - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
Guitar notes and tablatures
Performed by: U2: Even Better Than the Real Thing Digital Sheetmusic plus an interactive, …
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Performed by: U2: Even Better Than the Real Thing Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar 1;Guitar 2;Guitar 3;Backup Vocals; 7 pages -- Alternative Pop/Rock~~Pop Rock~~Album Rock~~College Rock~~Dance-Rock
$5.50
5.13 €
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Guitar notes and tablatures
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U2
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Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Musicnotes
Even Better Than The Real Thing
Lyrics and Chords
Digital Download SKU: HX.305343 By U2. Pop,Rock. Guitar Chords/Lyrics. 3 pages. Pub…
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Digital Download SKU: HX.305343 By U2. Pop,Rock. Guitar Chords/Lyrics. 3 pages. Published by Hal Leonard - Digital (HX.305343).
$1.99
1.86 €
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Lyrics and Chords
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U2
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Even Better Than The Real Thing
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Hal Leonard - Digital
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SheetMusicPlus
Even Better Than The Real Thing
Guitar notes and tablatures
Digital Download SKU: HX.407435 By U2. Pop,Rock. Guitar TAB. 10 pages. Published by…
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Digital Download SKU: HX.407435 By U2. Pop,Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital (HX.407435).
$4.99
4.66 €
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Guitar notes and tablatures
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U2
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Even Better Than The Real Thing
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Hal Leonard - Digital
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SheetMusicPlus
Even Better Than The Real Thing
Guitar notes and tablatures
By U2. For guitar. Pop; Rock. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Shee…
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By U2. For guitar. Pop; Rock. Guitar TAB. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.66 €
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Guitar notes and tablatures
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U2
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Rock
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Even Better Than The Real Thing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Even Better Than The Real Thing
Piano, Vocal and Guitar
By U2. For piano, voice, and guitar (chords only). Pop; Rock. 7 pages. Published by Hal Le…
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By U2. For piano, voice, and guitar (chords only). Pop; Rock. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.66 €
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Piano, Vocal and Guitar
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U2
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Rock
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Even Better Than The Real Thing
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
U2: Even Better Than The Real Thing - guitar (tablature)
Guitar notes and tablatures
Instantly printable sheet music by U2 for guitar (tablature) of MEDIUM skill level. / pop,…
(+)
Instantly printable sheet music by U2 for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97
8.37 €
#
Guitar notes and tablatures
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U2
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Virtualsheetmusic
U2: Even Better Than The Real Thing - guitar (chords)
Lyrics and Chords
Instantly printable sheet music by U2 for guitar (chords) of MEDIUM skill level. / pop,roc…
(+)
Instantly printable sheet music by U2 for guitar (chords) of MEDIUM skill level. / pop,rock
$3.97
3.71 €
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Lyrics and Chords
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U2
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Virtualsheetmusic
U2: Even Better Than The Real Thing - ukulele
Ukulele
Instantly printable sheet music by U2 for ukulele of MEDIUM skill level. / pop,rock
Instantly printable sheet music by U2 for ukulele of MEDIUM skill level. / pop,rock
$4.97
4.64 €
#
Ukulele
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U2
#
Virtualsheetmusic
The Edge: Even Better Than The Real Thing for voice, piano and guitar
Piano, Vocal and Guitar
Instantly printable sheet music by U2 for voice, piano or guitar of MEDIUM skill level. / …
(+)
Instantly printable sheet music by U2 for voice, piano or guitar of MEDIUM skill level. / pop,rock
$8.97
8.37 €
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Piano, Vocal and Guitar
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The Edge
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Virtualsheetmusic
U2: Even Better Than The Real Thing for guitar
Guitar notes and tablatures
Instantly printable sheet music by U2 for guitar (tablature) of MEDIUM skill level. / pop,…
(+)
Instantly printable sheet music by U2 for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97
8.37 €
#
Guitar notes and tablatures
#
U2
#
Virtualsheetmusic
Even Better Than The Real Thing
Ukulele
By U2. Pop; Rock. UKE. 3 pages. Published by Hal Leonard - Digital Sheet Music
By U2. Pop; Rock. UKE. 3 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.86 €
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Ukulele
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U2
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Rock
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Even Better Than The Real Thing
#
Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Even Better Than The Real Thing
Melody line, (Lyrics) and Chords
By U2. Rock. Fakebook. 3 pages. Published by Hal Leonard - Digital Sheet Music
By U2. Rock. Fakebook. 3 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
3.72 €
#
Melody line, (Lyrics) and Chords
#
U2
#
Even Better Than The Real Thing
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Even Better Than the Real Thing
U2
U2
$3.25
3.03 €
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U2
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Musicnotes
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.72 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
#
SheetMusicPlus
Thank U, Next
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next” by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next” on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next” piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next” serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
4.66 €
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Piano, Voice
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Ariana Grande
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.95 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Waltz Op 69 No 2 (Arranged for Guitar)
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By Fréde…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By Frédéric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.86 €
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Guitar notes and tablatures
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Frederic Chopin
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Cantaloupe Island
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1145015 By Herbie Hancock. By Herbie Hancock. Arranged by Kyle Pudenz. Jazz,Standards. Score and parts. 31 pages. ViolinVagabond Music #745332. Published by ViolinVagabond Music (A0.1145015). Settle into the groove with this tasteful interpretation of a modal jazz staple for the modern string quartet!! I didn’t seek to re-invent the wheel with this arrangement, but rather to capture some of its signature jazz combo swagger while fitting the signature lines & licks into string-friendly voicings. I did add an original intro & outro, which will give a bit more pizazz to your live performance than the fade out from Herbie’s original album version. The full chart includes written-out solos for each member of the quartet. I highly encourage improvising your own solos if you are comfortable, or even vamping one or more of the solo sections to really stretch out as you watch your next cocktail hour gig fly by! For a shorter (and significantly more lame…) performance, you can instead cut one or more of the solo sections from letter C thru F to save time. This arrangement makes use of modern extended string techniques in order to create a rhythmic foundation without the need for additional rhythm instruments, including chopping and ghost notes. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf That being said, if broadening your horizons to the world of percussive string playing just doesn't sound like your cup of tea, I have included a Rhythm Section Chart for performances with drums/percussion, guitar, bass, etc. It is highly recommended for you to use either the chopping parts or rhythm section musicians. If you use neither, you may feel as if something is missing in your life that you just can’t pinpoint. Don’t worry, I’ll pinpoint it for you: BACKBEATS. One way or another, you need them. And I’ve given you multiple options here so if you can’t make this chart groove that’s on you… Performance time - approximately 5:00 for the full chart as written. As mentioned above, solo sections can be repeated with improv or cut without requiring significant chart changes, to adjust to the needs of your specific performance. Each solo section is ~30 seconds if you want to do the math on that. Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond. Would love to hear your performances if you play this chart out live, so please send videos along and tag me!
$19.99
18.66 €
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String Quartet: 2 violins, viola, cello
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Herbie Hancock
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Cantaloupe Island
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ViolinVagabond Music
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SheetMusicPlus
Trapped
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Sc…
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Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
23.33 €
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Concert band
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Fantasia Upon A Cabbage
4 Guitars (Quartet)
Guitar - Level 3 - Digital Download SKU: A0.1395754 Composed by Derek Hasted. Arran…
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Guitar - Level 3 - Digital Download SKU: A0.1395754 Composed by Derek Hasted. Arranged by Derek Hasted. Baroque,Children,Comedy,Renaissance. 18 pages. Derek Hasted #979126. Published by Derek Hasted (A0.1395754). FANTASIA UPON A CABBAGE - GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarPerfect for School Music Teachers and for adults with a sense of the ridiculous...Derek Hasted writes This really does need a bit of explanation. Well, more than a bit...As a Guitar Teacher I often have to teach beginners how to read music, and of course the seven names of the musical notes can be made to spell words. Like CABBAGE.This, then, is a little piece of kitchen-based nonsense, cooking up a rather unappetising dish comprising cabbage, egg, beef and a lot, lot more cabbage. I??ve arranged it (if that is the word) to include nods to the renaissance and baroque periods.The scores contain mark-ups to show where a particular player has an item of food in their motif.As well as EGG, you??ll find some GEG (that??s scrambled egg) and a BAD EGG (and some sad music). You??ll also find that the recipe includes a helping or two of BEEF.Bach comes in for a special mention, as there??s a fugue-like section where the subject comes in a fifth away from the starting key (which I??ve loosely interpreted as being a recipe in a foreign language) and there??s some stretti (well, just about) at the end, when the fugue subjects overlap a tiny, tiny amount. And we also pay homage to the pedal section of an organ, where the CABBAGE subject comes in down low at half the speed of the original.The final, jazzy, chord at the end contains seven notes that collectively spell CABBAGE.Guitar 4 is supplied in treble and bass clefs - either or both will work in a large ensemble.So there are lots of teaching points, lots of things to ask the audience to listen out for, and a lot of mischief in a compact piece.The musical refrain CABBAGE is not the greatest motif to work with, but on reflection, when you have this much cabbage, it??s much better to listen to it than have to eat it...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$2.99
2.79 €
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4 Guitars (Quartet)
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Derek Hasted
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Fantasia Upon A Cabbage
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Derek Hasted
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SheetMusicPlus
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